Skintight: An Anatomy of Cosmetic Surgery (Key Concepts)

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Rating: 4.0

List Price : $39.95 Price : $23.35
Skintight: An Anatomy of Cosmetic Surgery (Key Concepts)

Product Description

Cosmetic surgery is everywhere: we are surrounded by altered, enhanced, skinny and stretched celebrities, in a hyped media culture that focuses increasingly on the body beautiful. Once only associated with the rich and famous, cosmetic surgery is now widely available, advertised in magazines, doctors' surgeries, and even on television.  In some parts of the world it has become an aesthetic and cultural norm, yet remains deeply troubling for many.
Skintight argues that cosmetic surgery is the most provocative and controversial aspect of a new 'makeover culture'. Shows such as Ten Years Younger and Extreme Makeover demonstrate that 'fixing' the body is a way to improve lifestyle and uncover true identity. Meanwhile, celebrities such as Michael Jackson and Jocelyn Wildenstein demonstrate the horrors of extreme surgical alteration.
Presenting a multidisciplinary approach, and examining a wide range of popular culture case studies from women's magazines, television, architecture and the Internet amongst others, Skintight dissects the realities of cosmetic surgery and culture.




    Skintight: An Anatomy of Cosmetic Surgery (Key Concepts) Reviews


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    3 of 4 people found the following review helpful:
    4.0 out of 5 stars Turning the scalpel inward, May 29, 2008
    By 
    Peter G. Hobbins (Sydney, Australia) - See all my reviews
    (REAL NAME)   
    This review is from: Skintight: An Anatomy of Cosmetic Surgery (Key Concepts) (Paperback)
    Skintight is an assured and engaging analysis of the current status of cosmetic surgery - not just as a consumer phenomenon, but also as the harbinger of emerging conceptions of human identity.

    I found Skintight a fascinating read, partly because of the interest inherent in the subject matter and also because cultural studies falls just outside my usual academic interests. Given my training in medical history, I was particularly interested in Jones' contention that our era is a time when ontological understandings of our own bodies are in flux. In particular, she proposes that first-world citizens are living through the emergence of a `makeover culture', where cosmetic surgical procedures are not only normalised, but become normative: it will soon be eccentric not to have `work' done. Jones takes us deeper than this, however. She suggests that the key to makeover culture is the process of transformation itself: good makeover citizens display rather than disguise their... Read more
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